Wednesday, May 15

WATCHES OF THE WEEK: Fran Drescher Edition


1. The Nanny
For many, this show will be banished to a heinous fate of being turned off immediately when the TV comes on, or the victim of a lightning-fast channel change once your episode of Friends ends (to find another episode of Friends- duh). But if this one ever comes on again, I implore you to indulge at any opportunity possible. This was on the list of shows Netflix recommended me (along with, like, the live-acted version of Anastasia and Charmed- Netflix doesn't actually know me that well) and in my 1am desperation, I gave it a whirl. Well, any show that can manage to rhyme "Flushing, Queens" and "crushing scenes" in the first two lines of the theme song has my allegiance for life. They hooked me 'till death do we part when Fran Drescher and 2/3 of her fellow cast members called almost everyone on the show a cow on various occasions in the first 8 episodes. My personal favourite is when Fran yelled, "How now, Brown Cow!" at a woman at a goddamn debutante ball. What gall! What sass! What fabulous matching ensembles! What perfect excessive use of Jewish jokes! I am kitschy, and I declare that there is nothing wrong with this show. I'm almost done the first season, and won't stop any time soon (even though my queue of shows is growing and I can't afford to waste my time on The Nanny right now. Who am I kidding- yes I can.)

2. HAIM
I think singing siblings will forever be in style. This is coming from an accredited individual who has seen every episode of The Brady Bunch and though they were a little cheesy, it was a valiant effort and their music was very catchy, and it is none of your business what I do to fill my days. Why do I dislike 80's music but love HAIM? They feel like summer, that's why! And every time I get a listen of their music, I feel like biking down a road with my friends, and also teaching myself how to play an instrument. Who else puts their own home videos in their music videos!?!?!? NO ONE! THAT'S WHY I LOVE HAIM GUYS!!!!

{here's their video for Forever}

3. Kristen Wiig on SNL
I cried real, real tears watching her farewell finale dance with all the boys that love her (Bill, Seth, Andy, Lorne... the only people I really care about, she actually danced with the whole cast). The only two significant cultural moments I cried at were this finale, and probably The Notebook. I wanted to post the pictures of me crying (I TOOK THEM MYSELF FOR EVIDENCE) but to save my family from embarrassment, I shall refrain. This episode was pretty good. I didn't expect anything less of SNL in wanting to bring old characters back and re-use the hell out of them, because that's what SNL does. But hearing "Mom's a mool gwishin- a Korean water ghost!" will forever make me laugh.

Also, I watched Grease this week, and THIS. THIS forever.

xxoxxoxxoxx

Tuesday, May 14

GATSBY! (BUT MOSTLY FRIED CHICKEN, PAMMY BUCHANAN, AND MYRTLE'S PUPPY)



Let me preface this post by noting that we should stop shaming those who have not yet read Gatsby and do not want spoilers. Though most of us have been graced by the literary gift from heaven that is Gatsby, and though the book is 90 years old, surprisingly enough, there are humans in the world that are younger than we/have not yet had the opportunity or privilege to read it. So if someone's expressing interest in reading it and simultaneously picturing how much of a hottie F. Scott Fitzgerald is in real life (I mean... I wrote this before I knew what he looked like, so um... Decide for yourself) let em go for it and love the book as much as you did without any malice. After all, my 12th grade class just got to swoon over Jay Gatsby this year! Give everyone a break, guys. In not having read the book, in maybe sympathizing with Daisy a little, and in life, too.

So here we go. I loved the movie. All I wanted was to be given the plot straight, with as many stray streamers, fireworks, champagne, jewels, and fringes as humanly possible, and boy, did Baz deliver. As moviegoers, we have to (as difficult as it is, especially with Gatsby) resist our urge to have unrealistic expectations, and keep the director's vision in mind while watching. If you've seen Romeo and Juliet or Moulin Rouge (which I haven't! Don't kill me!), you pretty much know what Luhrmann wants when he makes his movies. Sure, they're campy. But they're campy because he fiends campy. He probably lives in a circus tent. But a cool thing that he did- that a lot of people misinterpreted, in my opinion- is really blatantly explain what was happening. He didn't leave anything to the viewers to figure out for themselves. When Daisy cried about the shirts, Luhrmann had Nick explain why she was crying!!! Could that be because he wanted to appeal to a broader audience? Maybe. Does he think we're dumb? Does he want to make this film into a really comprehensive Sparknotes companion? This seems like I'm going to build up and explain this to you, but I'm really not going to do that. I don't know why he did it. I don't know Baz Luhrmann! I am only 17 years old, people. Also, I loved all the music. It was just cool to see 1920's characters dance to Watch The Throne. Movies are for suspension of disbelief. If you told me you weren't giddy at that part, U ARE LYING.

But let's get real, guys: Gatsby was great. Here is some miscellaneous points I would like to point out:

1. Why wasn't Pammy Buchanan pleasantly plump?
Yeah, everyone. I know the Buchanan's daughter's first name. This is really not such a weird fact to know. Was I the only one who read the novel and expected Pammy to be lowered into Daisy's hands with a small crane (or whatever was the 1920's equivalent of a crane?)Pammy looked like a coherent four-year-old, but I pictured her as a four-year-old that only knew how to say "Mama". Yeah, I know I just described a two-year old. Below is an expertly crafted artist's re-imagining of what Pammy, America's sweetheart, should have looked like.


2. As Amanda Dobbins aptly suggested in this Vulture article, the 3D glasses should have been shaped as the Eyes of TJ Eckleburg.

3. Where was the fried chicken?!?
I, for one, would like to have seen some 3 Dimensional fried chicken on film. I would have liked even more to see Tom and Daisy scarf down fried chicken during an awkward silence. Suddenly, the window flies open and some chicken is gone!!! Who took the chicken? Was it New Pammy, gaining some baby chub? Or was it Gatsby, as the table is now covered in glitter?!!?! This has been a deleted scene that I just wrote for the movie.

4. Myrtle's dog was everything I hoped it would be and more.

Let's give a shout out to Elizabeth Debicki and Isla Fisher, who slayed as some killer supporting ladies (loved Myrtles thick accent and gaudiness and how Jordan was taller than Nick!)

Don't forget Leo. Leo, to loosely quote Mike Posner (yeah...) you were my first boy (in my dreams), let me be your last girl <3

Thanks for reading, Old Sportz!!!!!!! ;)


Sunday, May 12

WHY HIGH SCHOOL GIRLS NEED 'GIRLS'




“Have you seen Girls?” 


While two years ago this would be a statement emitted from either someone who has lost their mind in a car crash and cannot remember literally anything, a new immigrant learning English and wishing to find the ladies washroom, or a weird new-age couple that has lost their dog that they named Girls as a statement against misogynistic society, it has taken a whole new meaning in 2013.

If you know me - as a friend, acquaintance, Facebook stalker, or Instagram follower - you know the planet which is my being revolves around the omnipotent ball of flaming light that is Lena Dunham’s show on HBO. The show about 4 girls navigating their early twenties in New York City is, to quote both Lena and Fiona Apple, about “just [wanting] to feel everything”, and though it may be existential, it is incredible relatable.  I’ve got the poster in my room, the DVD on replay in my computer, and the nail polish set in heavy rotation. I live and breath it, and almost stopped breathing when I met Zosia Mamet (Shoshana) in February after stalking her out at her show in New York City. I’m proud to be the unauthorized representative for the show at school, in that I’m constantly approached by people that love it, people wishing to start it, and people who want a quick recap or discussion about last week’s episode (come find me if you want to hear my unpopular opinion on how important episode 5 of season 2 was for the show’s livelihood). Needless to say, it’s an aspiring performer’s dream to see a show so perfectly executed, raw, and real. Over its two seasons, Ms. Dunham has been on-point with her depictions of ambiguous relationships, acceptance vs. Individuality, and the difficulty in balancing work and personal life.

When you’re in love, you want the world to know. And this is a show I’ve recommended to everyone. I ask them, just like I ask you now, to watch the pilot and just give it a chance. Not surprisingly to me- and probably many of you as well- a lot of adults I have asked to watch have returned with one unavoidable criticism: “Too inappropriate for high school girls. I didn’t watch television like this when I was young”. I get why adults don’t want younger kids to see the parts of life they should not yet be thinking about. But I am here to tell you all that though elders did not, as teens, feast their eyes upon the sex-and-drug-ridden, bad-decision-making girls of Girls, they’re maybe-just maybe- something that’s very important for me, and my fellow teens, to see.

I’d like to clear the air and mention that if the show just isn’t for you, I totally understand. Things that everyone likes are more often than not pretty boring (other than, let’s say, Meryl Streep and Julie Andrews), and not everyone is into everything. But something’s value, in my opinion, cannot be ignored just because someone doesn’t like it. I cannot automatically assume that I do not like cooked eggs if I do not have a go at them. I did, I don’t. This makes eating breakfast at restaurants somewhat difficult sometimes, but it is something I have to deal with. I don’t like eggs, but that doesn’t mean I should advise anyone not to eat them, because they actually might like them. Eggs might just be very good for them. Are you still following my analogy? You may not like something that someone else is doing, and you may not approve for yourself, but it might be very good for them. 

I, along with my friends, are lucky to be somewhat equipped in our environments with the tools to prepare ourselves for life after high school. However, no amount of guidance assistance can tell you about the pure confusion you feel when you’re not sure what you’re going to be doing next summer, or even next year. Rather than isolate specific events in the show that have happened to me in real life, I would like to focus on the overall ambiance of incertitude that envelops the show. The trials and tribulations experienced by Hannah, Jessa, Marnie, and Shoshanna are ones so often felt by high school girls- our cups constantly runneth over with questions like, “does he like me?”, “do I like him?”, “am I going to get into that school?”, “am I good at what I like to do?”, and “am I as good of a friend as I could be?”. And more than that, women in this show are the ones making choices for themselves. They’re messing up on their own agendas, not because their boyfriend told them to. As Lena Dunham said in an interview with Alec Baldwin, “I want women – this is so kind of hippy-dippy, but I want them to make their own choices. I want them to – I don’t want people to live in service to sort of what television thinks they should look like or what their family thinks they should act like.” Sure, sex and drugs are a pretty big part of the show. But we don’t just see the high, we also see the crash. The awkwardness, the confusion, and the jumble of decisions as a result of newfound post-college independence and everything that comes with it. We focus on the sex and nudity because it engraves itself into our brains: it’s something we rarely see on TV. But in my humble opinion, the entire act represents a concept larger than itself: making it up as we go along. Why would adults wish to keep a piece of work that gives such an accurate depiction of the complications of life, from young adults that are just beginning to experience those complications?

Sometimes teenagers can be really stupid, and need some help. Luckily, there are older people, living in their homes, that have experienced the same things they are experiencing. These people live with them, so they understand teens pretty damn well, and also they came out of one of these older people when they were born: meaning the teenagers literally lived inside of adults. Of course it makes perfect sense for them to be the ones the adolescents turn to. However, no matter how cool teenagers’ “parental units” (that was something Zenon would say) are, just like we, as teens, can’t always remember every detail of our Croc-and-tie-dye-gaucho-wearing 10 year old life, so too can they not remember exactly how they felt when they were 16. Parents want to be the people to teach their children all they need to know, but since the dawn of time, there has been an unexplainable barrier of discomfort between them and their children, and they can’t always help. So here come the 25 year olds portraying life as it really is, eg. Ms. Dunham! They still don’t know the answers to adolescence, but they can reassure teens that way they’re feeling is totally legitimate, and if they don’t feel that way at some point, there might be something wrong. The road to finding yourself is not always black and white and never a solo journey, and teens need all the help we can get from anyone that’s willing to help.

The long and short of it? Confusion never ends, and neither should real high school girls watching Girls